Journal of Integrated Cultural Studies
JICS Vol. 1, No. 1, 2026, pp.7-20.
Print ISSN: 3105-840X; Online ISSN: 3105-8418
Journal homepage: https://www.icsjournal.com
DOI：Https://doi.org/10.64058/JICS.26.1.02
黄鸣奋（Huang Mingfen）
摘要：人工智能的广泛应用正在改变艺术的存在形态，其影响不只是革新创作工具、更新表现形式，而且表现在促进艺术资源的结构性转变。在人工智能介入内容生产之前，艺术资源通常被理解为充当创作条件的物质材料、文化传统或经验积累，有时也被理解为可供调用的“艺术宝库”。进入人工智能时代之后，算力、算法、数据、模型等要素逐渐成为艺术生产要素，艺术资源随之转化可被运算、生成与再分配的动态系统。以此为背景，艺术界出现了三种令人瞩目的跨界变化——其一，某些非艺术要素由于人工智能介入而审美化，获得作为艺术资源的价值；其二，传统艺术作品被纳入数据结构之中，转化为可训练、可再生的资源形态；其三，艺术资源的价值实现过程日益为算法与平台所左右。不仅如此，人工智能从物质、精神和媒介三个维度对艺术资源加以重构，更新了传统的艺术观念，开拓了艺术发展的可能性，促进了与高新科技相伴的艺术变革。创作资料、传播资料和鉴赏资料之间的边界被显著削弱，艺术生产、艺术流通与艺术消费形成相互耦合的资源循环。对人工智能时代艺术资源进行系统考察，既有助于揭示技艺交融的深层机制，也有益于全面理解当代艺术的跨界存在方式和演变趋势。
关键词：人工智能；艺术资源；机制；范式
作者简介：黄鸣奋，厦门大学电影学院教授、博导。研究方向：数码艺术理论与科幻电影研究。电邮：mfhuang@xmu.edu.cn。
Title: Artistic Resources in the Age of Artificial Intelligence
Abstract: The widespread application of artificial intelligence is transforming the mode of existence of art. Its impact is not limited to revolutionizing creative tools and renewing forms of expression, but is also evident in facilitating a structural shift in artistic resources. Before AI intervened in content production, artistic resources were typically understood as the material materials, cultural traditions, or accumulated experiences that serve as the conditions for creation, sometimes also referred to as an “artistic treasury” available for deployment. In the age of AI, elements such as computing power, algorithms, data, and models have gradually become artistic production factors, and artistic resources have consequently been transformed into a dynamic system that can be computed, generated, and redistributed. Against this backdrop, three notable cross-boundary changes have emerged in the art world: first, certain non-artistic elements become aestheticized through AI intervention, acquiring value as artistic resources; second, traditional artworks are incorporated into data structures and transformed into trainable, renewable resource forms; third, the value realization process of artistic resources is increasingly influenced by algorithms and platforms. Moreover, AI reconstructs artistic resources across three dimensions—material, spiritual, and medial—thereby renewing traditional conceptions of art, expanding the possibilities for artistic development, and promoting artistic transformation in tandem with high and new technologies. The boundaries between creative materials, distribution materials, and appreciation materials have been significantly weakened, forming a mutually coupled resource cycle of artistic production, circulation, and consumption. A systematic examination of artistic resources in the age of AI not only helps reveal the deep mechanisms of the integration of art and technology, but also contributes to a comprehensive understanding of the cross-boundary mode of existence and evolutionary trends of contemporary art.
Keywords: Artificial Intelligence; Artistic Resources; Mechanism; Paradigm
Author Biography: Huang Mingfen, Professor and Ph.D. Supervisor at the School of Film, Xiamen University. Research interests: digital art theory and science fiction film studies. E-mail: mfhuang@xmu.edu.cn.
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